
Reading Shakespeare: Understanding Lady Macbeth and Her Guilt
Lady Macbeth is haunted by her guilt of murdering King Duncan. She plunges deep into madness as shown by her act of sleepwalking and obsessively washing her hands. […]
Lady Macbeth is haunted by her guilt of murdering King Duncan. She plunges deep into madness as shown by her act of sleepwalking and obsessively washing her hands. […]
Lady Macbeth is a woman of great complexity and her actions and character are intimately tied to the play itself. She is bold and blatantly honest than her husband in the play. […]
The porter scene in ‘Macbeth’, though read as comic, only serves to offset the darker parts of the play. […]
Shakespeare’s ‘Macbeth’ mirrors the political events of the seventeenth- century England. Like many of Shakespeare’s plays, it also shows the contrast between appearance and realty. […]
The world of Macbeth is a world where nothing is certain. What appears to be foul is actually fair, but that fair can easily and rapidly shift to foul once again. […]
King Henry V has learned the arts of theater from a true master: Falstaff himself, who is almost never at a loss for a response, an improvisation or a control over the scene. Learn how Shakespeare has used stagecraft as a tool to create his plays. […]
Prince Hal’s important makeover is reflected throughout Henry V, where expectations are set with the old irresponsible Prince Hal in mind. The prince makes the transition through his decisions and choice of friends and banishes Falstaff, his trusted lieutenant. […]
What role does God or religion play in Henry V? How can a focus on this relationship help us to understand the very heart of this play? Read on to find the answers. […]
Shakespeare shows a king’s required training in the life of King Henry V. Henry V leaves all his childish traits and the fun in his life to become a worthy king. Shakespeare sacrifices Falstaff to depict Hal’s decisions. […]
Henry IV, part II is more difficult to follow and comprehend, compared to part I. To comprehend part II, one must compare it to the first part. Henry IV themes slowly alter in the second part, but this change is not easy to detect without comparing it to the part I. […]
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