
The Utopian Blueprint in “The Ones Who Walk Away from Omelas”
In “The Ones Who Walk Away from Omelas”, Le Guin does not follow the conventions of the classic utopia and allows the reader to make speculations about a different world. […]
In “The Ones Who Walk Away from Omelas”, Le Guin does not follow the conventions of the classic utopia and allows the reader to make speculations about a different world. […]
A story like “Omelas” is valuable to utopian and dystopian critics alike because it allows the reader to determine whether it is a utopia or a dystopia. […]
Genre is a surprisingly slippery term, but it’s actually a pretty complicated idea. Gain a better a understanding of not only how genre works but also how it can open up our understanding of utopian and dystopian literature. […]
When I was a young graduate student, I wrote an essay on one of the first short stories Ursula K. Le Guin ever published, a wonderful story about human cloning called “Nine Lives.” She published the story in Playboy in 1968, under the gender-neutral name, U.K. Le Guin. This was the beginning of my adoration for one of the most influential science fiction authors in America. […]
Examine the parallels surrounding the intersection of Utopian and dystopian works of literature and our cultural moment in time. […]
Many of H. G. Wells’ science fiction stories contain fantastical utopian overtones. What was the historical impact of including these utopian settings within the context of his writings? And, relatedly, is there a way to see utopia as being inherently part of the science fiction project? […]
Enter the world of utopian and dystopian fiction on this episode of The Torch! […]
Who are we as a society? Who do we want to be? Who are we afraid we might become? When these questions are framed in the speculative versions of Heaven and Hell on earth, you won’t find easy answers, but you will find tremendously insightful and often entertaining perspectives. […]
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